Mayana Redin's works deal with humanity's cosmogonic, technical and artifactual imaginaries. Her production uses mainly the three-dimensional language and the dialogue between image and sculpture to build scenes, installations, objects, videos that transit between materialities and visualities. Sometimes some works are concerned with the specificity of the place where they are built.
In recent years, Redin has been researching the relationship between cosmic imagination and its materialistic and technical orientation. She has been experimenting with the use of welding, burning, metals, rubber, clays and ceramics in her works, being interested in the technical and manufacturing repertoire.

Mayana Redin is an artist and researcher. She lives and works in São Paulo, Brazil. She holds a degree in Visual Arts/Sculpture from the Institute of Arts at UFRGS (2010), a master's and a doctorate in Visual Languages from PPGAV-EBA-UFRJ (2013 and 2020). She is currently a substitute professor at ECA-USP. 

Among her solo exhibitions are 'Cena de Origem', GDA, São Paulo, Brazil, 2022 and 'Arquivo Escuro', Galeria Silvia Cintra+Box4, Rio de Janeiro, 2016. She participated in the exhibitions 'Tragédia!', Fortes D'Aloia & Gabriel, São Paulo, 2022; 'Pacotão', Pivô, São Paulo, Brazil, 2017; 'Filme Roubado', at www.aarea.co platform, 2018; 'Hacia una nueva orilla', NC-Arte, Bogotá, Colombia, 2016; 'Imagine Brazil', Astrup Fearnley Museum, Oslo, Norway, 2014; '8a Bienal do Mercosul', Porto Alegre, 2011. She was nominated for the Pipa Award in 2014 and 2022.

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