Bruno Baptistelli conducts his artistic practice through various media. Since the second half of the 2000s, the artist has used painting, photography, videos, objects, installations and conceptual projects to construct his work. Psychoanalysis, and some of its concepts, has served as the conductor of his work over the years. With a production that, in the beginning, worked mainly in public spaces and in the observation of the urban environment, more recently Baptistelli has also dedicated himself to think the dynamics between these and the spaces and objects of private and singular use.

Among his solo exhibitions, the following stand out: '4,000 AD. ', Galeria Luisa Strina, São Paulo, 2023; 'Memento', 55SP, São Paulo, 2022; 'Outro', GDA, São Paulo, 2021; 'Blues - umtrabalhoumtext', São Paulo, 2019; 'Accumulation', Galeria Pilar, São Paulo, 2018; 'For A While', Artkartell Projectspace, Budapest, Hungary, 2017; 'Everyday Narratives', Fayga Ostrower Gallery, Complexo Cultural Funarte Brasília, Brasília, DF, 2015. He participated in the group exhibitions: 'Brazilian Stories', Museu de Arte de São Paulo Assis Chateaubriand (MASP), São Paulo, 2022; 'Memories of the Future: Black citizenship, antiracism and resistance', Memorial of Resistance of São Paulo, São Paulo, 2022; 'Black Encyclopedia', Pinacoteca do Estado de São Paulo, São Paulo, 2021; 'IMS Convida', Instituto Moreira Salles (IMS), 2020; 'Afro-Atlantic Histories', Museu de Arte de São Paulo Assis Chateaubriand (MASP) and Instituto Tomie Ohtake (ITO), São Paulo, 2018.

He has works in important public and private collections of public interest, such as: Instituto Inhotim, Brumadinho, Brazil; Instituto Moreira Salles, São Paulo, Brazil; Museu de Arte de São Paulo Assis Chateaubriand (MASP), São Paulo, Brazil; Pinacoteca do Estado de São Paulo, São Paulo, Brazil; moraes-barbosa collection (cmb), São Paulo, Brazil; Instituto Figueiredo Ferraz (IFF), Ribeirão Preto, SP, Brazil.

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